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Trinh T. Minh-ha |
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L’
Autre marche A cultural rite of passage and a transformative walk conceived for a 160-meter ramp that precedes the entrance into the new museum of Mankind, the Musée du Quai Branly in Paris, France. Images across Asian, African, Oceania and American cultures are selected and structured rhythmically so as to work on the visitor's perception and prepare the latter in his/her journey amidst the museum's visual and material environments of world cultures. The project was completed for the opening of the Musée du Quai Branly on June 19 2006 and continues to be on view for the next two to three years. As it is often said in Asia, what is miraculous is not to walk on water, but to walk on earth. Walking is an experience of indefiniteness and of infinity. With each step forward, one receives wide open and deep into oneself, the gifts of the universe. The passage of the other into oneself, the course taken between sounds, images and aphorisms, or between the said and the seen along the ramp is an initiation walk that spans across several cultures of Asia, Africa, Oceania and America. With each step taken, relations between passage, passer-by, and passing time are mutually activated. Questions raised through sensual experience could incite the visitor to reflect on his or her present activities as spectator-researcher-visitor. Meaning moves with walking and with the coming and going, appearing and disappearing of the lit aphorisms. The strolling along the ramp could turn out to be a "rite of passage" whose fluid movement in three phases, "Transition," "Transformation," and "Overture" is suggested accordingly through sounds and visual rhythms. To each phase of L’Autre marche (The Other Walk) corresponds a rhythm, as well as a sonorous and musical environment. To each screen corresponds a sequence of images peculiar to a culture (Senegal: Tokolor, Mandingo, Joola and Soninke; Yemen; Vietnam; China; Japan, Indonesia, and USA). Awareness of a different walking toward the Self, the Other and the World takes place in the space between. At once exterior and interior to the museum, the trajectory in the ramp is also a passage from the human to the animal, vegetal and mineral universe. Access to a world other is characterized by a work that unfolds at the limit of the visual, between the immateriality of light-images projections or of sound resonances and the materiality of the objects exhibited in the museum. The installation unfolds in 28 autonomous visual sequences, with shifting aphorisms in twelve different languages intermittently appearing and disappearing (via 19 gobo projectors) on the sides and on the floor. In other words, it includes: - 19 digital video sequences projected on screens (phase 1), on the ground (phases 2 et 3), et on the two side walls of the ramp (phase 3) - 3 sequences of sounds composed for each of the 3 phases - 19 aphorisms projected on the ground, on the guard-rails and on the vertical inner surfaces along the ramp. These aphorisms are as follows (originally in French with translations into 12 other languages that are only indicated here for the main three aphorisms): PHASE I. LE SOI ET L'AUTRE - SELF AND OTHER Le monde vient vers soi à chaque pas With
each step, the world comes to us
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